Using ChatGPT, in less than an hour I generated glowing testimonials for QubaXR from some of the tech industry's most imaginary executives

In the field of visual arts, a recurring theme in anti-AI conversation seems to be: "AI models are trained on artworks without artists’ consent and they steal their art style". This argument just does not sit right with me, so here’s my take on the subject.

Quba’s online presence receives a little refresh.
See what changed, and read through to learn why.

In Autumn 2016, Noble Rot’s founder, Chris McCard, invited me to test-drive their new Octane based GPU render farm. Reserved for studio’s internal use, the farm had an opening in its schedule, and I knew just the project to throw at it. I wanted to re-master Freefall, giving it a proper art direction pass.

View heatmaps are an incredibly useful tool in understanding how audiences engage our content. As authors however, we should be very careful in how we interpret this data and how it influences our creative process.

It is my pleasure to announce that my short VR film The Pull has been selected for Kaleidoscope's 2016 Summer Showcase. Powered by Wevr Transport, The 2016 Summer Showcase is a global event series that explores the art and science of virtual reality.

In this article I’ll talk about the process behind creating and publishing Prismatic, as well as about some of the lessons learned along the way. If you haven’t yet seen the film, strap on your virtual reality goggles and go check it out here. The rest of the article will make much more sense this way.